Creating Children’s Books During COVID
Adam Mock shares his trajectory as a children’s book author and Spanish book artist Segundo Garcia.
Growing up as the son of a Pre-K teacher, not to mention being an avid cartoon aficionado, my love for children’s books and comics started early. My mother introduced me to Shel Silverstein, with his eccentric art and ideas, Dr. Seuss, with his wildly imaginative concepts, characters, and landscapes, and Fred Gwynne (yes, Herman Munster himself), who had a successful second career as a children’s book author whose stories both kids and their parents could relate to. Much of my childhood was spent drawing my own cartoon creations, hoping that one day they’d become as beloved as the ones I grew up with. As I grew older, live-action film and animation became my focus. I attended film school, and worked on several independent features during the height of NYC’s indie film boom in the early 2000’s. Though the teamwork of filmmaking was undeniably rewarding and fun, it never gave me the whole-hearted satisfaction I found in creating my own stories. Writing screenplays and novels became hobbies which gradually lead me to where I am today, the world of children’s literature. In late 2015 I began talking to Robert Herrera, a friend who’d been working in children’s publishing for decades and who just established Pixel Mouse House, a indie publishing company dedicated to creating exceptional new titles. Rob suggested that I write some of my “silly ideas” down and pitch them as picture books. So, with the help of veteran author/illustrator Ted Enik, my first book was born; What Does My Dog Jack Do At Night, a story about what an imaginative little boy thinks his dog Jack might be doing while the rest of us are asleep.Hispanic Business Scares Up Ghoulish Productions